0

Review: 4Front Truepianos

By

19 February 2012

Review: James Roche

Recently my old pop duo Bachelor Girl was booked to do a week of unplugged gigs. The line-up would be the lead singer, Tania, and myself on keys and vocals, along with a guitarist who would play for half the set. I would be playing a regular piano sound pretty much the whole night, and I realised my 12-year-old Roland XV-5080 module was not going to cut the mustard. While the piano sound from it is OK with the camouflage of a full band, I’m afraid it’s showing its age, and in the exposed and intimate context of these gigs it would sound clunky and stiff.

I needed a new piano sound, and it had to be really great.

So what to do? Those Nord Stage pianos sound pretty good, and there are good offerings from Yamaha, Roland, Kurzweil and Korg. But I already had a controller keyboard, in a hard case too, which weighed just under the 32kg limit for checking on an airplane. Besides, I didn’t really want to spend between three and five grand just for a week of gigs, when afterwards it would be just another keyboard cluttering up the studio.

GOING FOR THE MODEL

I decided to look at plug-ins, to see if I could tour just a laptop.

Most piano plug-ins stream samples off a disk. They can be pretty demanding on data throughput. Plonk around on a bunch of notes with the sustain pedal held down and suddenly you are streaming copious numbers of 24-bit data streams. Likely the internal 5400RPM laptop drive wouldn’t cope, making me think that perhaps I’d have to tour a dual-disk Raid drive containing the piano samples. 

Then I came across a totally surprising product: A piano plug-in that modelled a piano, rather than using samples of one. It didn’t stream any data from disk, and it claimed to be very light on CPU. I decided to check it out, and downloaded the demo of TruePianos from the manufacturer’s website. 

I remember saying “wow” a lot during those first few minutes of playing it. It seemed impossible that a computer model of a piano could make what I was hearing.

It was rich, detailed, expressive, wide and glorious. Better yet, on my Mac Pro the CPU meter was barely flickering. I had to absolutely punish it by banging on the keyboard with my entire forearm over and over with the sustain pedal down to get the CPU up to maximum. But I couldn’t make it dropout or glitch – it seemed that the plug-in self-regulated, limiting polyphony so nothing ugly occurred. 

There are multiple piano models in the plug-in, representing different real-life pianos. The company making this plug, 4Front, isn’t specific about which is which, since it has mixed and matched the aspects of various real pianos to create its models. Some sounds are more classical, some brighter and more aggressive for rock and contemporary tracks. 

The software is currently at version 1.9, with a version 2 in the works. Most of the piano models are from version 1, which are exceptionally light on CPU, however there is one preview model from the forthcoming version 2. It sounds a little more ‘forward’ than the older models – a definite improvement but it requires more CPU. 

I decided this was the plug-in to use on the road. Time to get it onto the laptop to see how it fared with a computer of much lower spec.

THE RIG HACKS IT

Lying around in the studio I had a an old laptop running Mac Snow Leopard. I installed TruePianos on it and fired up Apple’s MainStage program to take it for a test drive.

I hadn’t previously used MainStage, but it is designed for exactly the purpose I wanted to put it to – live performance using a computer as the sound module. It can do all sorts of fancy stuff like processing vocals and being an audio mixer, but I didn’t need all that. I set it up to play a variety of piano or Rhodes patches, responding to the program change buttons on my controller keyboard.

The CPU in this laptop is a Core 2 Duo at 2GHz. Not too bad, not too fabulous either. RAM and hard drive specs weren’t an issue, since TruePianos doesn’t need to stream samples.

I tried the torture test again, holding the sustain pedal down and bashing on as many keys as I could. This time I could get it to glitch, but only when using the version 2 preview piano model and when MainStage was set to use a hardware buffer of 64 samples. At 128 samples, or on a version 1 piano model, I couldn’t fault it. Amazing. I was using a computer worth less than $200 second hand, and a plug-in that costs around $160 as my touring rig. Instead of lugging a road case, I carried it on board the plane in a shoulder bag.

The sounds are well balanced for using in recorded band tracks, however I found during the gigs I wanted to add some bottom end – they just weren’t fat enough to fill the entire sound spectrum in a solo-piano-and-vocal scenario. Some EQ around 90Hz sorted that out.

I did the week of gigs without any troubles from the Hackintosh, MainStage or TruePianos, so I am well pleased with the rig. If you are looking for a great piano sound, and in particular are going to be using it live, TruePianos seems an excellent solution.

RESPONSES

Leave a Reply

Your email address will not be published. Required fields are marked *

More for you

Filter by
Post Page
Reviews Arturia Sennheiser Issue 99 Audio interface Universal Audio RØDE Preamps & Channel Strips SSL Issue 97 Audient Moog Shure Kali Audio Issue 96 Hotone
Sort by